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Assembles equipment:

7 areas and a destination:
If this was a western that could be the title (..) Anyway Forte was simple we had to start quoting our 7 heads of area and from there and set the computer. Wheat
would do the same with production. ADDRESS


1 Fabian Forte Management Tech

Armoy Bear Continuity and 1st Assistant Director
Jesica Jedid the 2nd assistant director

2 PRODUCTION Gonzalo Aguado Benitez
Production Manager Production Nidia Bush in
VILLA Germain Sarmiento Tech. Mechi
Production Tech Production Sarmiento

3 PHOTOGRAPHY
Alejandro (El Rusi) Millie Martin Pastori

Technical Berdensky HD

Cristian Barroso Gaffer Martin Knight Electric Electric Salvador


4 ART
Catalina Oliva

Victoria Giaccani assistant art Markert

Eugenio Fernandez Beltra

art assistant Maria fernanda Puigmarti

Costumes Costume Massigoge

José Maria Patricia Rego

Special Effects Makeup

props
5 CAMARA Miguel Rivarola Cameraman

Mauritius Chamber Montaldi Tech
Martin (The Witch) Video Operator Conti asist.


6 SOUND Sound Dir Carando Julian Eduardo boom operator


7 EDITION

Alan Cesar Custodio Pager Ayud. of Compag.

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3 - SCOUTING

Accompanied by Daniel , Who was to organize and help with safety production and logistics, together with Akim, Edu, Pignon and the boys were walking and bumping into realities such as:

See railroad tracks attached to sool inches of housing, a week before a child under 4 years and a few days fie rolled back an acquaintance of Daniel lost his leg .. seemed like a lot until the train passed, and there against the walls like other people and only few centimeters and we feel so close to the train actually went.

railroad in the area a people came to us thinking that we were looking to usurp land but everything cleared, we saw in the corners and in village and a few meters from the chapel of San Blas about the living dead boys almost as Paquera conoicidos .. almost consumed by paco.

At one point we had to throw a shot into the air which generated a discussion between Daniel and I , where each pose and understood in principle the position of another, that somehow forged the relationship and friendship today quite honest Daniel joins me.

Each landscape and each situation was already beginning to take shape the image and the movie itself .. It was clear that the script would be only a starting point and we knew we would have film.

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2 - CASTING

Noon in the Village: Experience casting
was intense for others, Nidia and family have kindly provided us the house, Forte in July and I arrived at noon at the Villa.
The neighborhood was quite shaken, the home of Nidia, collapsed, there was a 1st general chat with everyone and a commitment that all those who had taken the trouble or the trouble to come to the meeting were to be of a way or another in the movie.
In this 1st meeting we were going to take todods data and video and FEEL for watching and beginning to go assign any extras and incidental to the movie and now begin to assemble the 1st test for main roles.

SEE VIDEO CASTING

A 38 for FORTE:

In the midst of casting and organized 1st and established in the House of Bush Flia: Fabian with the camera video, digital Nidia with a little camera (photos) and I know and asking questions of the case as we were taking note, Mr. Forte was the victim of a "Joke" ....

SEE VIDEO

"Joke: A 38 for Forte, entregenme camera"

In some ways this was a 1st intense but very positive experience, including this joke which then require the kid to give me the gun and check that the gun was unloaded, in the end I think both Forte and I finished laughing, there also met Pignon who then would have a role in the movie and even is very close between the 3 selected for the role of Freddy.

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1 - TAXI PLAN

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Pre to full

With Alberto Trigo at the head of production and Fabian Forte as right hand in the direction almost immediately began pre:

This was stated on 3 main parts
iniciode
PLAN RUNNING
The idea was to put the film on budget and therefore in 24 days or 4 weeks 6 days. CASTING


The idea and the commitment was to work mainly and almost exclusive to people of the village even in the lead roles. SCOUTING


Our premise has always been 1st lna historiaq have "inside" therefore the majority of the film was to be counted in the village or whether he had to close most of the locations in the neighborhood.

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A Day in the VILLA VILLA

was very strong entering the villa with Julito, for two simple reasons 1, see how people loved and respected in July and 2nd July released last thing that somehow we collided head: A man almost

in a state of total abandonment to inflammation in his neck incredible crossed us over, just to ask about butts and say hello to Julio who makes long time no see, Julio took over a year and a half in rehab and this man almost in his last and was glad to see it OK to Julio, who then told me that this man had always been well liked in the neighborhood made a part the neighborhood improved asphalt owe it largely to the and now wanders about as a pre-corpse buried in the scourge of paco, a scourge which Julito out and fight every day.

Sometimes reality hits you head-and often with reason.

Knowing the Bush family, the parents hermnanas Nidia and July were very pleased, they come from a family with origins in Paraguay as half my family on mother's side which made me feel somewhat at home.

By mid-afternoon we went to the pool of Gordo Miguel, met several boys in July and friends share a beer pool through that afternoon at the villa.

The neighborhood was not far from the neighborhoods in Formosa met and where I had my friends Fredy mnejores Lupin and Niche, in whom inspire me for this movie.

Clearly this was not random ... or casual.

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Visit to Victor Ramos and Nidia

After a long and revealing conversation with ZARZA JULY Nidia younger brother agreed to the weekend Villa go to the house of Bush to have an initial chat and see the place.
If anyone knows the Villa that is July, someone very dear and respected in the neighborhood as well as the rest of the family of Nidia.

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The reunion was in the offices of Victor Ramos on Avenida de Mayo: the idea was to find a 16hs and I think a half an hour before accelerating just had and at that point I think a good feeling. Victor Ramos
known and prominent lawyer closely linked to the local film industry and foundations against discrimination in addition to the son of renowned historian Jorge Abelardo Ramos , was there at the scene waiting for us too early.
encounter with Victor was most profitable without further ado and before others arrive we sat down to watch the trailer of "The Barracks 21" project had been filming for months in the Villa Victoria.
The trailer is MINT and also most importantly the aprouch the topic was very appropriate and very genuine, very gender and people who knows what he's talking with people in the performing and giving fleshiness VILLA history.
After watching the material I pressenta Nidia, who later became a cornerstone and support of our film. Nidia
Bush about to be a lawyer and being 3rd generation arrival of a family that lives forever Paraguay in Villa 21 and the founder with Victor Ramos of foundations such as SOS Discrimination, producer and star of the documentary I Villera and the 21 barracks and beginning to bring forward a dream: a visual arts school in the village itself.
Nidia was undoubtedly the person who made us divert and redirecting the course now if the above address.
After this warm reunion with Nidia and Victoria, we decided to forget the VILLA 31 to which the script to reference and adapt our history to film in the VILLA 21, instead of that from now on but it was our home for several months.

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Bush Step 1 Pre-Production

already installed and more alone that Kung Fu Moreno's office and the phone with our investor Alberto Trigo and after several meetings and seeing as "enter" to 31, RETIREMENT VILLA (place where the script is based) we caught both a cultural and cinematic scene interesting in La Villa 21.
The mere mention of that in this town, for many considered one of the most dangerous of BsAs, it would have been filming a movie not long ago on video between documentary and fiction about the battle of bands and people have actively participated This would have been made to expose the reality, certainly shocked me.
In any decision or course always follow hunches and this certainly was a very strong. Wasting no more time
We took a 1st meeting.

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begins PRE:
We knew from the start that this would be a difficult movie or at least complicated logistics. Beyond
history, simple if you will, the idea was to have this movie from the Villa FROM INSIDE same and that was our main premise.
And that somehow pose and our first challenge and therefore to our first course to follow.